Our Services

I consider myself the most experienced DJ in Thunder Bay. With decades of experience in large nightclubs across western Canada and thousands upon thousands of events and weddings under my belt, I am adept at catering to any demographic or age group. From Kindergarten to Seniors and everything in between.

I particularly enjoy playing 90s Euro dance and hip-hop. But MUCH more importantly, I focus on playing music that energizes the crowd and keeps everyone dancing. I take pride in my ability to “read the room” and adapt to the energy of the event.

Absolutely. I find that taking requests usually enhances the experience. I am very approachable and have no issues accommodating guest requests, within reason. If a request is inappropriate or unsuitable for a particular event setting, I will suggest an alternative, which they always appreciate.

I use top-of-the-line QSC speakers, and either EV or QSC subwoofers, depending on the venue. Wireless microphones are top of the line Sennheisers.

Yes, I offer specialty lighting, including 3 Chauvet Gig Bar options dependant on the room, Chauvet Freedom Sticks, and LCD mirror balls. Coming soon; top-of-the-line uplighting which will be available for next Wedding Season. I also have fog machines, a BRAND new beeeeautiful Dry Ice machine, and of course, the infamous bubble machine which I wouldn’t even dream of charging extra for. (The bubble machine is used only when the dance floor is full, ensuring that bubbles do not cause slippery floors.)

I am often asked to act as the MC for events. At Weddings and some Coorporate events (depending on certain situations), this service incurs an additional fee due to the extra work involved. I have extensive experience in MC’ing, and I am happy to assist if needed.

I handle song transitions exceptionally well, utilizing decades of mixing experience and advanced DJ tools like “Stems.” This ensures smooth, seamless transitions without any “dead air,” distinguishing me from amateurs who rely on platforms like Spotify.

Absolutely. We will meet a week or so before the event to review these lists and ensure all preferences are accommodated.

At Weddings, I have a few effective techniques to guarantee a full dance floor from the moment it opens. At other types of events, especially Shags, it takes a little longer, but I almost always end up with a full and energized dance floor. But especially at weddings, my reputation in the city speaks to my ability to fill the floor with nearly every guest from the start.

Yes, I am fully insured with $5 million in liability coverage through Brokerlink Insurance, and am a long-standing member of the Canadian Professional Disc Jockey Association. If you choose another DJ, please ensure they are also licensed and insured, as lack of insurance can lead to significant risks.

I will arrive an hour and a half before any event the  to ensure everything is properly set up. I have never been late for a gig – in my life.

I require a 30% non-refundable retainer. However, I am flexible with applying it to a different date or future event and can make exceptions in extreme cases.

I’m happy to play a few extra songs beyond the scheduled time. If you require me to play until 2:00 am, there is usually an additional charge of $150, though this is rare as guests are usually quite exhausted by then.

Certainly. I have extensive experience and enjoy working with clients to select music for special or specific moments. My input is often appreciated in creating memorable experiences for people.

Yes, I provide the best wireless microphones available in the city: Sennheisers.

I generally do not use or offer “DJ furniture” or extensive customization, as I believe that my reputation and the quality of my performance speak for itself. A DJ can have the most beautiful setup on the planet and have an empty dance floor all night long if they don’t play for and properly read the room. I honestly don’t think any guests have a better night because the DJ setup is really fancy or expensive. To be honest, if I could be invisible, I would, lol. If requested, however, I do have a white facade I can supply for a small fee. But my typical setup is neat, and I have never received a single complaint.

Yes, I typically provide music for the entire Ceremony, Cocktail Hour, Dinner, and dancing for 8 out of 10 weddings.

While I prioritize the clients specific song/theme/mood preferences, I also aim to provide an enjoyable experience for all guests. I handle requests with common sense, timing, and politeness.

I request a meal for events that occur over dinner. Please note that I do not drink alcohol, so water is sufficient for me.

I have numerous five-star reviews on my Facebook page and Google. You can still find many reviews on this Website as well.

For every song that contains explicit content, I have a clean version. This is essential for events with children (especially schools), or parties where inappropriate lyrics are not suitable. I also keep the original versions of all the songs for clients who prefer unedited music at their events.

Not only do I use licensed versions of Serato and Virtual DJ – two leading DJ software programs for high-quality and LEGAL music playback – but I’ve been DJ’ing for nearly 40 years. As a result, I possess what I believe to be the most comprehensive and meticulously organized music collection amongst any DJ I’ve ever met. My library boasts almost half a million songs on my hard drives, eliminating the need for Wi-Fi at your event. I subscribe to five of the top record pools available to professional DJs: Promo Only, DJCity, Direct Music Service, Club Killers, and XMIX. This gives me unparalleled access to the latest releases and exceptional remixes, all of which are completely legal and licensed for public performance. Additionally, every track in my collection includes a clean version specifically for schools.

A growing number of clients have started inquiring about music licensing and legality issues for public music play. As a long-standing member of the Canadian Professional Disc Jockey Association (CPDJA), I’d like to clarify how the licensing laws work. It’s actually quite straightforward. There are three main licenses involved: CONNECT, SOCAN, and RE-SOUND. You might have encountered venues that discuss fees for these licenses. Some venues list it as an additional charge, while others include it in their booking price. The venue is responsible for the SOCAN and RE-SOUND licenses, not the DJ. In Canada, the DJ is responsible for obtaining a CONNECT license, which grants the legal right to play copied music from a laptop in public settings. I have a Connect License which I have on my possession at all events.

There’s a couple of tricks I use here and there, but nothing to the level of professional scratchers. It’s a fantastic skill and very cool to watch. It takes years of practice to do it properly, and I have mad respect for Dj’s who do it well. However, my lack of scratching ability has never affected a dance floor, crowd response, or client satisfaction in my entire career. While scratching is impressive to watch, I find that interesting transitions between songs, proper beat mixing, and avoiding dead air are more important for maintaining the energy on the dance floor. In the end, people just want to hear their song. Fast mixing, which involves playing a song for less than a minute or so before transitioning to the next track, is a tactic I use occasionally under certain circumstances. However, I find that many people prefer a song to play for a decent amount of time. On the other hand, no one wants to hear “Cotton-Eyed Joe” for 5 1/2 minutes. There’s a fine line that highly experienced DJs can “feel” when it comes to introducing the next track. It’s very hard to explain, but it’s all about watching your dance floor and “feeling the vibe”, which is one of my strongest skills.